NORBERT
BISKY
Studio
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What is especially surprising is the fact that Bisky manages to paint his figures from multiple positions and angles, caught in an internal vortex, spreading out in many different directions simultaneously in scenes of combat, aggression, explosions, and war. This requires Bisky to work on his canvases both near and from afar, maintaining the tumultuous air that unites his pictures, while also holding to a level of precision that rewards close inspection. Bisky’s brush must reenact the very movement that it depicts, and for viewers, the act of taking in one of the artist’s works, is similarly demanding, to the eye, and to the body as it is placed before a scenography in which characters can merely respond to the pictorial turmoil taking place around them.